International Symposium on Photography & Visual Culture

International Symposium on Photography & Visual Culture


PHOTOGRAPHY IN THE AGE
OF ECOLOGICAL ENTANGLEMENT
© Amy Balkin
2026 EDITION
This webinar series brings together scholars, artists, and curators to explore the role of photography in negotiating ecological entanglements. Positioned between its historical functions of classification and documentation, and its contemporary capacity to unsettle hegemonic narratives, photography constitutes a privileged site for examining the interrelation of environmental transformation, memory, and representation. As both image and object, photography registers the traces of ecological crisis while simultaneously embodying the spectral and generative qualities of the archive. This duality prompts critical reflection on how photographic practices might resist logics of exploitation and control, instead activating new modalities of attention, care, and relationality across human and non-human domains.
By foregrounding the intersections of photographic practice, archival imaginaries, and ecological thought, the series aims to situate photography as a medium through which the politics of the present are both recorded and reconfigured, opening pathways toward reimagining more livable futures. In doing so, this webinar series interrogates how photography can simultaneously reproduce and unsettle epistemologies of power, underscoring its role as a critical site where ecological imaginaries are negotiated and contested.
Programme organizer/moderator
Ana Catarina Pinho
GUEST SPEAKERS


She has been writing about photography since the mid- 1990s, publishing numerous chapters and articles and two monographs on photography: Photography: The Unfettered Image (Routledge 2018) and A Dirty History of Photography: Chemistry, Fog and Empire (University of Chicago Press 2026). She also works as an artist in various media.


She is the CoFounder/former Director FORMAT Festival and previous Artistic Director QUAD, a centre for contemporary art and film. Previously National Curator of Contemporary Art, Forestry England, and currently Jury Chair/Curator of Earth Photo with the Royal Geographical Society, Forestry England and Parker Harris; Also co-founder of Summit Photo with the Royal Geographical Society and the Royal Photographic Society.
As a creative director since 1998 Louise has led commissions, festivals, publications, mass participation, film/photography programmes/exhibitions around the world. Guest Curator for international exhibitions/festivals including Dong Gang South Korea; Photoquai Biennale Musée du quai Branly Paris; Les Rencontres Arles, Discoveries; Dali Photo, China; Venice Biennale EM15; Photo Beijing, and Lishui Photo China; Korea International Photo Festival. Louise has written about photography for Photo Researcher, Next Level, South Korean Photography, 1000words, co-editor of Hijacked III UK/AUS, PHOTOCINEMA.
She is an international photography curator, juror, advisor and nominator, a regular portfolio reviewer at festivals and galleries worldwide. She is also a board member for Archivo and Pagrav Dance Company; Advisory Board member of Sensing the Forest, Queen Mary University of London; UKRI/AHRC research programme Let the Forest Speak, using the internet of things and creative ai; Patron of FORMAT International Photography Festival, Trustee of Pagrav and Vice Chair of Inspirate.
www.photoworks.org.uk




She brings qualitative environmental data–photographs, maps, policy reports and archival materials–into public space in works like the Philadelphia ‘essay-billboard’ Area of Interest and in Reading the IPCC, a series of durational public readings and videos of the Intergovernmental Panel on Climate Change’s climate science assessments. Her work has been exhibited widely, including in the FotoFest Biennial (Houston), and dOCUMENTA (13), and widely published on, including in Art in the Anthropocene (Open Humanities), Materiality (Whitechapel), and Critical Landscapes (UC Press). She lives in San Francisco.

25 days to the event30 Apr 2026, 18:00 – 19:00 WEST


19 Feb 2026, 18:00 – 20:00 WET
19 Mar 2026, 18:00 – 19:00 WET
REGISTRATION


© CAROLINE MONNET
THE INDIGENOUS GAZE
DECOLONIZING VISUAL CULTURES
This Webinar Series seeks to continue the ongoing discussions in decolonial thought and visual practices beyond Western-centred conceptualisations of the image. Throughout five sessions, scholars, artists, and curators, will critically approach the concept of the 'gaze' in visual culture, interrogating it from historical, cultural, and ontological standpoints, and addressing the Indigenisation of the image as a means for decolonizing the fields of visual culture and contemporary art studies.
GUEST SPEAKERS
NASHELI JIMÉNEZ DEL VAL
Independent Researcher, Spain
LAURA SINGEOT
Reins University, France
MARIANNA TSIONKY & MARIANA CUNHA
Leeds Arts University
University of Westminster, United Kingdom
SPRING ULMER
Middlebury College, USA
HELEN STARR & KINNARI SARAIYA
Worldbuilding Curator & Producer, United Kingdom
Visual Artist, India
- 15 Mar 2023, 18:30 – 20:00 WET
- 12 Apr 2023, 18:30 – 20:00 WEST
- 17 May 2023, 18:30 – 20:00 WEST
- 14 Jun 2023, 18:30 – 20:00 WEST
- 19 Jul 2023, 18:30 – 20:00 WEST
© EVAN HUME
PHOTOGRAPHIC (IM)MATERIALITIES IN THE DIGITAL AGE
ARCHIVE & CONFLICT
Focusing on the production, circulation, and archiving of images, the Archivo Webinar Series 2024 aims to explore the Archive & Conflict through two main perspectives: on the one hand, to delve into the materialities and immaterialities of archival production within the digital age in regard to contemporary critical appropriations through visual arts that address, access and contest past and present conflicts, history’s repressed events and violations. On the other hand, to examine the aesthetics of datafication, understanding artistic strategies as potential sites for resisting and counter-acting current extractivist processes, which tend to capture and transform everyday life into data.
GUEST SPEAKERS
GIL PASTERNAK
De Montfort University, United Kingdom
JENNIFER GOOD
University of the Arts London, United Kingdom
IDIL CETIN
University of Oslo, Norway
EVAN HUME
Visual Artist / Iowa State University, USA
- 09 May 2024, 18:00 – 19:30 WESTEvan Hume's research-intensive creative work focuses on photography as an instrument of the military-industrial complex for reconnaissance, surveillance, and documentation of advanced technologies. Hume's first monograph, 'Viewing Distance', was published by Daylight Books in 2021.
- 04 Apr 2024, 18:00 – 19:30 WESTIdil Cetin is a Marie Curie postdoctoral researcher at the University of Oslo, with the project Histories of Reception of Photography in the Ottoman Empire. She intertwines her interest in visual culture and history with archival studies, with a specific focus on photographs as archival materials.
- 07 Mar 2024, 18:00 – 19:30 WETJennifer Good is a writer and Senior lecturer in photography at LCC, UAL. She is the author of 'Understanding Photojournalism' (2017), and 'Photography and September 11th: Spectacle, Memory, Trauma' (2015), and co-editor of 'Mythologizing the Vietnam War: Visual Culture and Memory' (2014).
- Thu 15 Feb

© José Maçãs de Carvalho
UNFOLDING HISTORIES
THE ARCHIVE AS MODEL AND SOURCE FOR CRITICAL PRACTICES
The webinar series "Unfolding Histories: The Archive as Model and Source for Critical Practices" explores the evolving functions of archives in contemporary art, historical inquiry, and cultural memory. It investigates how archives not only preserve historical narratives but also serve as critical sites for interrogation and creative reinterpretation. Addressing themes such as the materiality and organization of photographic archives, the potential of archives for fostering unlearning and the relationship between archival preservation and exhibition practices, the series examines how archives both reinforce and challenge dominant narratives. By exploring how archives structure and mediate historical narratives, and examining innovative methodologies for archival research and display, this webinar series emphasizes the evolving relationship between archival practices, historical representation, and cultural production. These discussions aim to foster a nuanced understanding of the archive’s role in shaping, contesting, and reimagining histories.
GUEST SPEAKERS
JOSÉ MAÇÃS DE CARVALHO
University of Coimbra, Portugal
AUDREY LEBLANC
EHESS Paris, France
BIRGIT EUSTERSCHULTE
Freie Universität Berlin, Germany
CLARE CHUN-YU LIU
Kungstgewerbemuseum Berlin, Germany
- 22 May 2025, 18:30 – 19:30 WESTThis talk asks how the archive can be understood both as a model and a source of unlearning and what challenges this poses for artistic works dealing with archival material. The emphasis is on artistic methods of historicization that deal with colonial history, the entanglement of ... [more info]
- 30 Jan 2025, 18:30 – 19:30 WETThis webinar examines the archive as both a physical and institutional space, emphasizing its connection to memory and spatial constructs. It explores its relationship with memory and cultural production through theoretical insights and artistic works by the speaker’s own practice. [more info]
2026 | PHOTOGRAPHY IN THE AGE OF ECOLOGICAL ENTANGLEMENT
2025 | UNFOLDING HISTORIES: THE ARCHIVE AS MODEL AND SOURCE FOR CRITICAL PRACTICES
2024 | ARCHIVE AND CONFLICT: PHOTOGRAPHIC (IM)MATERIALITIES IN THE DIGITAL AGE
2023 | THE INDIGENOUS GAZE: DECOLONIZING VISUAL CULTURES

